Susan Swartz Studios is pleased to present An August Day, an exhibition of abstract, textural paintings that collectively embody the sensations of late summer, with the essence of August as a symbol of grandeur and beauty. This selection of works is reminiscent of glistening water, warm air, and wild flowers, highlighting the mission of her oeuvre – to bring outside elements of nature to intimate interior spaces. Visitors can expect to experience a blend of inspiration from both of Swartz’s studios, set in the Park City mountains and on the shores of Martha’s Vineyard. With brilliant colors and intricate surfaces, the paintings burst with untamed floral bouquets and sun-reflected water.

  • At the forefront of the gallery, the joy of coasting across deep ocean water is depicted in Summer Bliss, a 4x6’ painting chosen for a recent collaboration with company, Doyle Sails. The creative process utilized modern science and technology to turn the sails and hull of a racing yacht into a unique canvas for Swartz’s creation.

     

    In a recent article published by Seahorse magazine, Swartz states, “The open ocean is by far my most compelling artistic partner to date and the sailboat my most unique medium.” Swartz’s attentive eye to the details of her environment ring true as both the original painting, Summer Bliss, and the collaborative execution of this project capture the essence of experiencing the open ocean.  

  • Summer Bliss toured the world in solo exhibitions at the Central Academy Fine Arts (CAFA), Beijing; the Ludwig Museum of...
    Summer Bliss, 2014
    72 x 48 in
    182.9 x 121.9 cm

    Summer Bliss toured the world in solo exhibitions at the Central Academy Fine Arts (CAFA), Beijing; the Ludwig Museum of Contemporary Art Budapest; The State Russian Museum, St. Petersburg; and Gallerie Noack, Berlin.

     

    View it as it continues to travel across the globe on Yacht Vesper.

    • Shimmering Impressions 8, 2021 48 x 48 in 121.9 x 121.9 cms
      Shimmering Impressions 8, 2021
      48 x 48 in
      121.9 x 121.9 cms
    • Afterlight, 2016 48 x 48 in 121.9 x 121.9 cm
      Afterlight, 2016
      48 x 48 in
      121.9 x 121.9 cm
    • Boundless 6, 2022 24 x 72 in 61 x 182.9 cm
      Boundless 6, 2022
      24 x 72 in
      61 x 182.9 cm
      Sold
    • Vase (extra large, blue), 2019 47 x 14 in 119.4 x 35.6 cm
      Vase (extra large, blue), 2019
      47 x 14 in
      119.4 x 35.6 cm
  • In an eruption of zealous color and soft pastels, an asymmetrical array of small scaled paintings spans the front of the gallery. In combining Swartz’s series such as Emerging Bouquet, Blooming, and Petals & Pollen, the patterns of striations, petal drops, and tones build relationships among each other. Swartz explores earthy pigments and crackling textures in these works, implicative of wild botanicals and the vibrant hues displayed in setting suns.

    • Petals & Pollen 26, 2021 12 x 12 in 30.5 x 30.5 cm
      Petals & Pollen 26, 2021
      12 x 12 in
      30.5 x 30.5 cm
      Sold
    • Petals & Pollen 1, 2019 20 x 20 in 50.8 x 50.8 cm
      Petals & Pollen 1, 2019
      20 x 20 in
      50.8 x 50.8 cm
      Sold
    • Solitude 6, 2020 24 x 12 in 61 x 30.5 cm
      Solitude 6, 2020
      24 x 12 in
      61 x 30.5 cm
    • Aspen Touch 7, 2021 24 x 12 in 61 x 30.5 cm
      Aspen Touch 7, 2021
      24 x 12 in
      61 x 30.5 cm
    • Petals & Pollen 28, 2021 12 x 12 in 30.5 x 30.5 cm
      Petals & Pollen 28, 2021
      12 x 12 in
      30.5 x 30.5 cm
      Sold
    • Nature's Bouquet 30, 2019 18 x 25 in 45.7 x 63.5 cm
      Nature's Bouquet 30, 2019
      18 x 25 in
      45.7 x 63.5 cm
    • Emerging Bouquet 24, 2020 20 x 20 in 50.8 x 50.8 cm
      Emerging Bouquet 24, 2020
      20 x 20 in
      50.8 x 50.8 cm
    • Emerging Bouquet 32, 2020 12 x 12 in 30.5 x 30.5 cm
      Emerging Bouquet 32, 2020
      12 x 12 in
      30.5 x 30.5 cm
    • Nature Revisited 18, 2017 12 x 12 in 30.5 x 30.5 cm
      Nature Revisited 18, 2017
      12 x 12 in
      30.5 x 30.5 cm
    • Blooming 8, 2022 12 x 12 in 30.5 x 30.5 cm
      Blooming 8, 2022
      12 x 12 in
      30.5 x 30.5 cm
    • Shimmering Impressions 13, 2022 36 x 36 in 91.4 x 91.4 cm
      Shimmering Impressions 13, 2022
      36 x 36 in
      91.4 x 91.4 cm
    • Celestial Blues 19, 2022 36 x 60 in 91.4 x 152.4 cm
      Celestial Blues 19, 2022
      36 x 60 in
      91.4 x 152.4 cm
      Sold
    • Vase (large, white), 2019 41 x 11 in 104.1 x 27.9 cm
      Vase (large, white), 2019
      41 x 11 in
      104.1 x 27.9 cm
    • Vase (medium, blue), 2019 27 x 10 in 68.6 x 25.4 cm
      Vase (medium, blue), 2019
      27 x 10 in
      68.6 x 25.4 cm
    • Vase (medium, white), 2019 30 x 8 in 76.2 x 20.3 cm
      Vase (medium, white), 2019
      30 x 8 in
      76.2 x 20.3 cm
  • Central in the exhibition is Evolution of Nature 24, a painting from Swartz’s most ambitious series to date. Connecting the journey of personal health with a passion to celebrate nature’s healing capabilities, she integrates dried botanical elements into the surfaces of thick acrylic. In Evolution of Nature 24, Swartz interweaves natural elements with petal-like drops of acrylic, likening the pigments of red, yellow, and blue to wild flowers found when wandering amongst aspen forests or mountain lakes.  

  • Evolution of Nature 24, 2022
    48 x 48 in
    121.9 x 121.9 cm
    • Blooming 1, 2021 12 x 12 in 30.5 x 30.5 cms
      Blooming 1, 2021
      12 x 12 in
      30.5 x 30.5 cms
    • Blooming 2, 2021 12 x 12 in 30.5 x 30.5 cms
      Blooming 2, 2021
      12 x 12 in
      30.5 x 30.5 cms
    • Blooming 6, 2022 12 x 12 in 30.5 x 30.5 cm
      Blooming 6, 2022
      12 x 12 in
      30.5 x 30.5 cm
    • Blooming 10, 2022 12 x 12 in 30.5 x 30.5 cm
      Blooming 10, 2022
      12 x 12 in
      30.5 x 30.5 cm
      Sold
  • 'August is the border of summer and autumn, it is the most blissful month I know.” – Tove Jansson
    Immeasurable Joy, 2020
    36 x 36 in
    91.4 x 91.4 cm

    "August is the border of summer and autumn, it is the most blissful month I know.”

    – Tove Jansson
     

  • Mirage, 2014
    45 x 84 in
    114.3 x 213.4 cm
  • Newly released black and white giclée prints are suspended in front of a raw concrete wall.  Adjacent, Evolution of Nature 17 completes the warm, organic ambiance with a select palette of whites, grays, and ethereal yellows and oranges.

  • Susan's largest and most recent works from the landmark Evolution of Nature series hang side-by-side.  A grand duo in their full three-dimensional glory, they call on themes of organic abundance and vitality.

  • Evolution of Nature 25, 2022
    72 x 120 in
    182.9 x 304.8 cm
  • Evolution of Nature 26, 2022
    72 x 72 in
    182.9 x 182.9 cm
  • Six 20x20" paintings neighbor in a linear grid, allowing the movement between the pieces to carry the viewer's eye through a tranquil circuit. The meditative experience continues with Turquoise Horizon’s serene strength and the graceful minimalism observed in a small grouping of Nature Revisited

    • Nature's Resurgence 8, 2021 20 x 20 in 50.8 x 50.8 cm
      Nature's Resurgence 8, 2021
      20 x 20 in
      50.8 x 50.8 cm
    • Blooming 11, 2022 20 x 20 in 50.8 x 50.8 cm
      Blooming 11, 2022
      20 x 20 in
      50.8 x 50.8 cm
    • Changing Seasons 1, 2021 20 x 20 in 50.8 x 50.8 cms
      Changing Seasons 1, 2021
      20 x 20 in
      50.8 x 50.8 cms
    • Mineral Shimmer, 2020 20 x 20 in 50.8 x 50.8 cm
      Mineral Shimmer, 2020
      20 x 20 in
      50.8 x 50.8 cm
    • Emerging Bouquet 53, 2021 20 x 20 in 50.8 x 50.8 cm
      Emerging Bouquet 53, 2021
      20 x 20 in
      50.8 x 50.8 cm
    • Nature's Resurgence 6, 2021 20 x 20 in 50.8 x 50.8 cm
      Nature's Resurgence 6, 2021
      20 x 20 in
      50.8 x 50.8 cm
  • 'Rest is not idleness, and to lie sometimes on the grass under trees on a summer's day, listening to the...
    Turquoise Horizon, 2011
    48 x 48 in
    121.9 x 121.9 cm

    "Rest is not idleness, and to lie sometimes on the grass under trees on a summer's day, listening to the murmur of the water, or watching the clouds float across the sky, is by no means a waste of time."

    - John Lubbock

    • Nature Revisited 12, 2016 12 x 24 in 30.5 x 61 cm
      Nature Revisited 12, 2016
      12 x 24 in
      30.5 x 61 cm
    • Nature Revisited 13, 2016 12 x 24 in 30.5 x 61 cm
      Nature Revisited 13, 2016
      12 x 24 in
      30.5 x 61 cm
    • Nature Revisited 10, 2016 12 x 24 in 30.5 x 61 cm
      Nature Revisited 10, 2016
      12 x 24 in
      30.5 x 61 cm
  • Nature's Bouquet 33, 2020
    24 x 72 in
    61 x 182.9 cm
  • The experience of An August Day is made complete with Mineral Shimmer 2, a mesmerizing piece with a soft yet glimmering quality that conveys tantalizing pearlescence.

    • Mineral Shimmer 2, 2021 36 x 18 in 91.4 x 45.7 cm
      Mineral Shimmer 2, 2021
      36 x 18 in
      91.4 x 45.7 cm
    • Vase (small, purple), 2019 12 x 11 in 30.5 x 27.9 cm
      Vase (small, purple), 2019
      12 x 11 in
      30.5 x 27.9 cm
    • Nature's Bouquet 37, 2020 72 x 48 in 182.9 x 121.9 cm
      Nature's Bouquet 37, 2020
      72 x 48 in
      182.9 x 121.9 cm
      Sold
    • Nature's Bouquet 38, 2020 72 x 48 in 182.9 x 121.9 cm
      Nature's Bouquet 38, 2020
      72 x 48 in
      182.9 x 121.9 cm
      Sold
  • In all of Swartz's work, rich tones and brilliant color are a focus when expressing her care and vision for preserving nature. She builds on the narrative that the changing seasons should be cherished, celebrated, and protected. Swartz's creative execution in An August Day coincides with the words of poet, Mary Oliver: 


    "August of another summer, and once again, I am drinking the sun, and the lilies again are spread across the water."