Susan Swartz Studios is pleased to present Rhapsody, curated to coinside with Swartz's upcoming installation at the Art Miami fair. This exhibition highlights the titular Rhapsody series as well as the Evolution of Nature and Nature's Bouquet series.

  • In the Rhapsody series, Susan works with a reductive palette, accentuating deep emotional connection with singular colors. The monochromatic series builds upon strong contrast to highlight the geometry of the canvas and the organic acrylic swirls. Susan sees the use of singular color as an opportunity to provide more visibility to textural movement, allowing the viewer to cycle through emotions and experiences; absorbing, or being absorbed by the influence of color.  

    • Rhapsody H, 2023 30 x 36 in 76.2 x 91.4 cm
      Rhapsody H, 2023
      30 x 36 in
      76.2 x 91.4 cm
    • Rhapsody Understudy 4, 2022 36 x 18 in 91.4 x 45.7 cm
      Rhapsody Understudy 4, 2022
      36 x 18 in
      91.4 x 45.7 cm
    • Rhapsody Understudy 6, 2022 24 x 12 in 61 x 30.5 cm
      Rhapsody Understudy 6, 2022
      24 x 12 in
      61 x 30.5 cm
    • Rhapsody Understudy 16, 2022 24 x 12 in 61 x 30.5 cm
      Rhapsody Understudy 16, 2022
      24 x 12 in
      61 x 30.5 cm
    • Rhapsody Understudy 13, 2023 24 x 20 in 61 x 50.8 cm
      Rhapsody Understudy 13, 2023
      24 x 20 in
      61 x 50.8 cm
    • Rhapsody Understudy 11, 2023 24 x 20 in 61 x 50.8 cm
      Rhapsody Understudy 11, 2023
      24 x 20 in
      61 x 50.8 cm
  • The Nature’s Bouquet series studies floral arrangements through tangible globs and drips of paint. This technique celebrates the dimension of...
    Nature's Bouquet 68, 2023
    30 x 30 in
    76.2 x 76.2 cm
    The Nature’s Bouquet series studies floral arrangements through tangible globs and drips of paint. This technique celebrates the dimension of the medium while building a strong sense of movement and depth. In each piece, abundant pigments and texture burst from solid-colored backgrounds in an exhilarating expression of the movement of flower petals floating in the wind and cascading through the water.
  • Rhapsody Understudy 17, 2023
    36 x 36 in
    91.4 x 91.4 cm
  • Nature's Bouquet 18, 2019
    48 x 72 in
    121.9 x 182.9 cm
    • Fresh Bouquet 4, 2023 12 x 12 in 30.5 x 30.5 cm
      Fresh Bouquet 4, 2023
      12 x 12 in
      30.5 x 30.5 cm
    • Rhapsody Understudy 5, 2022 24 x 12 in 61 x 30.5 cm
      Rhapsody Understudy 5, 2022
      24 x 12 in
      61 x 30.5 cm
    • Vase (extra small, green 2), 2022 8 x 8 x 8 in 20.3 x 20.3 x 20.3 cm
      Vase (extra small, green 2), 2022
      8 x 8 x 8 in
      20.3 x 20.3 x 20.3 cm
  • Swartz enjoys tending to her gardens each summer where she finds renewed inspiration in the flowering abundance. From the blooms... Swartz enjoys tending to her gardens each summer where she finds renewed inspiration in the flowering abundance. From the blooms... Swartz enjoys tending to her gardens each summer where she finds renewed inspiration in the flowering abundance. From the blooms...
    Swartz enjoys tending to her gardens each summer where she finds renewed inspiration in the flowering abundance. From the blooms to the delicate stems, the leaves, and the petals after rain, her gardens never cease to spark new experiments in the studio. With the Fresh Bouquet series, Swartz employs vivid splashes of paint and contrasting forms.
    • Fresh Bouquet 1, 2023 20 x 20 in 50.8 x 50.8 cm
      Fresh Bouquet 1, 2023
      20 x 20 in
      50.8 x 50.8 cm
    • Fresh Bouquet 2, 2023 20 x 20 in 50.8 x 50.8 cm
      Fresh Bouquet 2, 2023
      20 x 20 in
      50.8 x 50.8 cm
    • Fresh Bouquet 3, 2023 20 x 20 in 50.8 x 50.8 cm
      Fresh Bouquet 3, 2023
      20 x 20 in
      50.8 x 50.8 cm
  • “Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is... “Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is... “Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is... “Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is...

    “Color is the keyboard, the eyes are the harmonies, the soul is the piano with many strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.” ​​​​​​​​​

    -Wassily Kandinsky

  • Alongside a small grid of four bold paintings hangs Landscape of Resonances 011. Inspired by orchestral music, the Landscape of Resonances series combines various melodic and harmonic lines to create dynamic depth and movement. With multiple striking layers of horizontal strokes, this piece builds steadily resulting in an intimate and powerful painting reflective of a passing forest.

  • “By cultivating the beautiful we scatter the seeds of heavenly flowers, as by doing good we cultivate those that belong...
    Nature's Bouquet 66, 2023
    48 x 24 in
    121.9 x 61 cm

    “By cultivating the beautiful we scatter the seeds of heavenly flowers, as by doing good we cultivate those that belong to humanity.”
    -Vernon Howard

    • Rhapsody Immersed 1, 2022 12 x 12 in 30.5 x 30.5 cm
      Rhapsody Immersed 1, 2022
      12 x 12 in
      30.5 x 30.5 cm
    • Synthesis 22, 2021 12 x 12 in 30.5 x 30.5 cms
      Synthesis 22, 2021
      12 x 12 in
      30.5 x 30.5 cms
    • Synthesis 23, 2021 12 x 12 in 30.5 x 30.5 cms
      Synthesis 23, 2021
      12 x 12 in
      30.5 x 30.5 cms
    • Rhapsody Understudy 18, 2023 12 x 12 in 30.5 x 30.5 cm
      Rhapsody Understudy 18, 2023
      12 x 12 in
      30.5 x 30.5 cm
  • Landscape of Resonances 011, 2013
    48 x 72 in
    121.9 x 182.9 cm
  • In Nature Revisited 9, Susan uses various objects and tools to create delicate botanical impressions. Below hangs Autumn, a work embedded with dried leaves and fall colors.  Adjacent, limited edition black and white giclée prints are suspended in front of a raw concrete wall providing natural elegance and serenity.  

  • Susan's largest piece from the landmark Evolution of Nature series pops next to Natural Flux 102, a painting that is almost entirely white aside from minimal gray accents that highlight the frosty texture.

  • Evolution of Nature 25, 2022
    72 x 120 in
    182.9 x 304.8 cm
  • Natural Flux 102, 2018
    72 x 72 in
    182.9 x 182.9 cm
  • Evolution of Nature 14, 2021
    48 x 48 in
    121.9 x 121.9 cm
  • The Rhythm of Nature series is distinguished by its tight, repetitive, staccato-like texture. This new technique yields paintings topped with acute, distinct qualities reminiscent of scales – both musical and aquatic in definition. The series utilizes minimalistic color pallets with broad strokes, sweeping and scraping in soft focus. Swartz finds inspiration for both her artistic texture and color in the natural environment and in the atmospheric elements of classical music. 

    • Rhythm of Nature 7, 2023 36 x 60 in 91.4 x 152.4 cm
      Rhythm of Nature 7, 2023
      36 x 60 in
      91.4 x 152.4 cm
    • Rhythm of Nature 8, 2023 36 x 60 in 91.4 x 152.4 cm
      Rhythm of Nature 8, 2023
      36 x 60 in
      91.4 x 152.4 cm
    • Shimmering Impressions 12, 2021 20 x 20 in 50.8 x 50.8 cms
      Shimmering Impressions 12, 2021
      20 x 20 in
      50.8 x 50.8 cms
    • Color Embraced 3, 2021 20 x 20 in 50.8 x 50.8 cms
      Color Embraced 3, 2021
      20 x 20 in
      50.8 x 50.8 cms
    • Evolution of Nature 30, 2023 36 x 18 in 91.4 x 45.7 cm
      Evolution of Nature 30, 2023
      36 x 18 in
      91.4 x 45.7 cm
  • 'Flowers are the music of the ground from earth’s lips spoken without sound.” -Edwin Curran
    Evolution of Nature 28, 2023
    30 x 30 in
    76.2 x 76.2 cm

    "Flowers are the music of the ground from earth’s lips spoken without sound.”

    -Edwin Curran

  • At the back of the gallery hangs Landscape of Resonances 001, a striking work made up of strong vertical striations reflective of Aspen trees. Flanked by two vases, the arrangement finds a perfect balance between the bold and the quiet.

  • Landscape of Resonances 001, 2013
    72 x 48 in
    182.9 x 121.9 cm
    • Vase (medium, white), 2019 30 x 8 in 76.2 x 20.3 cm
      Vase (medium, white), 2019
      30 x 8 in
      76.2 x 20.3 cm
    • Vase (medium, white 3), 2021 28 1/2 x 8 x 3 1/2 in 72.4 x 20.3 x 8.9 cm
      Vase (medium, white 3), 2021
      28 1/2 x 8 x 3 1/2 in
      72.4 x 20.3 x 8.9 cm
  • In all of Swartz’s work, lush textures and brilliant color are a focus when expressing her internal landscape. Swartz paints to communicate her mission - that the natural world and all its beauty needs to be cherished, shared, and protected.

     

    Swartz's paintings have been featured in major solo exhibitions at Galerie Noack in Berlin; the Central Academy of Fine Arts (CAFA) in Beijing; the Manetti Shrem Museum at UC Davis in California; the Russian State Museum in St. Petersburg; the Ludwig Museum in Budapest; the Ludwig Museum in Koblenz; Kollegienkirche in Salzburg; the National Museum of Women in the Arts in Washington, DC; the Utah Museum of Fine Arts in Salt Lake City; and the Springville Museum in Springville, Utah. Her work is featured in numerous private and public collections around the world. She is represented by Jason McCoy Gallery in New York City. Swartz paints from studios in Park City and Martha’s Vineyard.

     

    Visit Susan Swartz Studios at 260 Main Street in Park City, open 12-7PM daily.